The film’s depiction of gambling as a form of entertainment is more complex than what you might expect from a typical gangster movie. Instead of focusing on the criminal element of casinos, Casino makes them into places of culture and social interaction that provide an escape from everyday life. In this way, the movie resembles an epic of modern society rather than simply another story of mob corruption and heists.
The movie also uses a sense of voyeurism to make the story more compelling. This is evident in the way the film often enters scenes from a high vantage point, giving the audience the feeling that they are looking down on the cast from a godlike position, as if they are sitting in judgement of these sinners. It is also evident in the way that many of the characters are preoccupied with whether or not they are being watched by more powerful forces. This is obvious in the way that Sam Rothstein tries to hide his face in all manner of costumes and props, or when Ginger sighs about Nicky saying “he acts like I’m the only one around here with a f%$king past”.
As well as being a great piece of social commentary, Casino also has some fantastic acting performances from Joe Pesci and Sharon Stone. These two actors are able to convey the subtle nuances of their character’s personalities, and this gives the movie a sense of depth that you might not find in other movies about organised crime. In addition, Scorsese’s use of voiceovers, dynamic editing, and a great soundtrack enhances the narrative.